Tonight we welcome back our sterling acquaintance, Mad Men. I don't know when Sunday night TV became such a big deal, but it is. As a kid Sunday night meant a Disney movie, scrambling to finish neglected homework, and collapsing into bed.
As an adult it means re-setting the house from whatever went on over the weekend, finding something clean to wear tomorrow, debating whether to pre-empt Monday morning email bombs by checking in on Sunday night or letting them blow their fuse on time, and wondering how many weeks there are, approximately, from now to retirement.
It also means tv. Since at least the Sopranos it's meant the treat of quality tv at least one night a week. Something new, above the fray, riveting. Sopranos episodes always ended with me feeling three things: OMGdidthatreallyjusthappen?, wow 54 minutes went by fast, ugh it's time to go to bed we have to work tomorrow.
For us, then came Six Feet Under where we found characters gruesomely twisted in a whole other way. For what should have been a depressing subject - afterall every episode started with someone's demise, it was a show with light and depth and quirks and humor. The actors were so riveting they seemed larger than the show.
From that we leapt to Big Love. I was instantly intrigued by the concept of a fundamentalist sect of Mormons who were still secretly practicing polygamy. I was compelled to watch by the presence of the brilliant Jeanne Triplehorn. Alas, the characters were so real, and Chloe Sevigny's deceptions and manipulations so toe-curling that I found I was stressed watching each episode. There were crushing debt, and manifest lies, and layers of complexity of truths and alliances and a lot of characters. It was kind of like being in a really stressful office on a Sunday night. When I stopped asking to tune to it, Jac didn't even ask why.
He merrily pounced over to Law & Order: Criminal Intent. Criminal Intent was less stressful because hey, they usually show you who did it in the first minute, and it's not the tough, gnarly crimes my man Ice-T is tackling over on SVU. So, a little hint of smartness (you know when Goren is all omnipotent and Eames lets him explain to her, an experienced and venerated detective, the criminal mind). But then Bobby had a story arc with his mother being sick and with the evil and omnipresent Nicole Wallace. It was...the dreaded...dramatic tension!
Dear TV:
I hate Dramatic Tension. I think she has no place on your show and wish you would ship her out on the bus with Paula Abdul. Of course even Ryan Seacrest's pointless pregnant pauses exist simply to create dramatic tension. Dramatic Tension stresses us out! If Hawkeye and BJ could have just hung out in the swamp with occasional visitors instead of wet blankets Frank and Charles, we could have had a little respite from the travails of the 4077th.
If Bubbles had just BEEN a competent assistant providing Edina and Patsy with what they needed instead of leading them into predicaments we could have just had a fine old time having some drinks and finding things to get us into our trousers.
But really, I have to go back to Nellie Oleson and her meddling misanthrope mother. If we could have JUST let them pass through Walnut Grove there would have been a good deal less strife all around!
I suppose you will say that we wouldn't appreciate the characters if they didn't have moments of great peril and exposure thanks to these difficult people, but I'll admit they stress me out on a Sunday night when I already can't imagine that the weekend's winding down.
This year in Mad Men it's 1963, there has been a heap of tumult going on at Sterling Cooper and all hell's about to break loose out in the real world which they've largely been able to avoid. The teasers say this is a season of change. Change is a tricky word because its connotation is subjective and incidental. I hope it's as painless as changing my oil or we could resort to changing the channel. Oh who the hell am I kidding, we'll be there for every deep drag on the cigarette to numb the insane reality moment of it. But we might need one of Roger Sterling's double cocktails to get to sleep after each episode.